In 2014,We were looking for a way to re-invent our music+poetry event, “Croak and rhyme.” It had been an unexpected success the year before and we needed to be more innovative.
One night, during a 4040 meeting at (now defunct😳) Cee cees restaurant,we made a list of possible artists, mostly the ones who seemed unreachable because that’s the only way we would have an edge.
Then we came up with the name “Maddox Sematimba” and suddenly there was no need for further debate. He was ‘the one’ and we needed to get him.
Some context; At the time, Maddox was living a quiet life and had not performed in ages. In fact, it was not easy to track him down because it did not seem like he wanted to be found.
For some reason, we love a challenge and the search began during that very meeting as people called people, who called other people that could lead us to the main man.
Our very own ‘Nalumansi’ took the lead on this. After several days of searching,connecting dots and a road trip to Busabala, he was tracked down. The next task was to convince him to get onto the big stage. He accepted😊
We had the headline act we were looking for and nothing could possibly go wrong, right? Wrong.
While he had many fans and 4040 was slowly growing its numbers, the cost of putting on the show was quite high. Not to mention the background drama that comes with venues and difficult people who are always looking to give a problem for every solution😥
Nonetheless, we persevered. Many other amazing musicians got on board and all agreed to perform at no cost. In fact, after making our ‘dream list,’ the only factor that would get someone off the list was their inability to accept our (zero) rates.
We didn’t hold it against them, we just couldn’t afford them and were open about it.
D-day arrived and we prayed for a successful show despite the anxiety.
That event was arguably the best organised we have had in recent times Incidentally, other people in the entertainment industry also noticed this.
A small dedicated team had put it together, under the outstanding stewardship of Nalumansi. The results showed.
Just before Maddox got on stage, Collin stood beside me assuring me that Maddox would never come for this event. We argued although I knew very well that Maddox was already in the building (technically in the gardens, at the museum)
While we were having this argument, the man himself got on stage. Walalala! Collin disappeared without a word. I, too ran to the front, to get a better view. It was the first and last performance I watched that night. The performers did a commendable job and then there was Maddox.
His laid back attitude as he belted those lyrics, that moment when he gave Nalumansi a shout out and the 4040 team burst into laughter wherever they were; the pause when the DJ played a beat and Maddox told him to please move on swiftly to another song; when Frank got onto the stage and sang with Maddox word for word, a if he had been part of rehearsals; it was all beautiful!
We were in the presence of a legend and he got everyone together, effortlessly.
We didn’t raise much from that event. In fact it the surplus was nominal but we did a lot more, things can’t be priced even if we tried.
Since then, Maddox has performed at several events and even released a music video after a long hiatus.
In 2015, a few friends and I tracked him down at a random bar in Munyonyo, to pay homage. By 1a.m, the stage was still rife with ‘curtain raisers.’ We sang along to songs we had never heard, got to know new artists and yawned from time to time as we awaited the presence of “our man.” We later went backstage to introduce ourselves and ask why he wasn’t coming on stage. “Mani promoter y’atutegeka..” he explained.
I really dislike starting things and not accomplishing them so I could not imagine going back home without watching at least one song.
Meanwhile, all of us stayed in different parts of Kampala and only one of us had a car that we were planning to squeeze into. This was before omulembe gwa uber😦
I remember my neighbour’s reaction vividly as we got up to leave. “Sweetie naawe togenda b’ano abalala babowa.” (Please don’t leave, these other attendees are boring)
I can’t say that we re-awakened his career but I would like to believe that our genuine hope, belief and interest in him sparked something within his heart, to remind him how special he is.
I hope he can release an album or two before retiring. I look forward to purchasing the copies and getting as many people to do the same. He has an upcoming show meanwhile. Everyone needs to watch him in action at least once.